OOLOI.ORG
Menu

OOLOI

An Organism Evolved.

OVERVIEW

DOCUMENTATION

NEWSLETTER

Working with AI

6/8/2024

1 Comment

 
Picture
I should perhaps say something about how Generative AI is used in the FrankenScore project. First of all, I have a prompt of about 4100 lines which prefaces every conversation with the AI chat client. The prompt consists of project documentation, background, design principles and goals, coding principles and conventions, explanations of central code and code examples. It also includes a major part of the source.

This allows the AI to:
  1. Analyse and describe the project,
  2. Converse about architectural choices,
  3. Assist with project planning and open-source strategies,​
  4. Judge how well the project embodies best Clojure practices,
  5. Generate, with guidance, Clojure code and tests, and
  6. Produce meaningful documentation and READMEs.

The copy on this website was almost entirely created by AI means, often using multiple iterations until I arrived at something suitable for publication. There remain a few passages that slipped me by as the AI produced text that reads a little too self-congratulatory on my part, but it was simply the opinion of the AI (though it is of course nice that it likes the code). I'll fix that during the days to come. Also, the technical comparison with other software is a bit too speculative and monotone. I'll change that, too.

In terms of code, I've found that Claude 3.5 Sonnet reasons better at depth about Clojure code than GPT-4o and consequently is the superior choice for complex coding. GPT-4o is still useful for producing text, though. It isn't exactly bad at coding, but it has a tendency to vomit code at you at every opportunity, which is both tiresome and expensive. Also, it kind of loses track when conversations get very long.

And they do; the chains of thought are sometimes complex, and a meandering AI can get costly. Therefore using Claude saves money in the long run.

By the way, it's easy to tell when I am writing. Just look for signs of British English. You know, -ise and colour and whilst and so forth. The AI invariably produces American English.

1 Comment
Joel
19/9/2024 18:00:19

I found it really interesting using AI for this project.

Reply

Your comment will be posted after it is approved.


Leave a Reply.

    Author

    Peter Bengtson –
    Cloud architect, Clojure advocate, concert organist, opera composer. Craft over commodity. Still windsurfing through parentheses.

    Search

    Archives

    January 2026
    December 2025
    November 2025
    October 2025
    September 2025
    August 2025
    July 2025
    June 2025
    April 2025
    March 2025
    September 2024
    August 2024
    July 2024

    Categories

    All
    Accidentals
    Alfred Korzybski
    Architecture
    Benchmarks
    Clojure
    CLOS
    Common Lisp
    DDD
    Death Of Igor Engraver
    Documentation
    Donald E Knuth
    Dorico
    Dynamic Programming
    Finale
    FrankenScore
    Franz Kafka
    Frontend
    Functional Programming
    Generative AI
    GRPC
    Igor Engraver
    Jacques Derrida
    JVM
    License
    LilyPond
    Lisp
    Localisation
    MIDI
    MPL 2.0
    MuseScore
    MusicXML
    Ooloi
    Ortography
    Pitches
    Playback
    Plugins
    Python
    QuickDraw GX
    Rendering
    Rhythm
    Rich Hickey
    Road Map
    Scheme
    Semiotics
    Sibelius
    Site
    Skia
    Sponsorship
    UI
    Umberto Eco
    Vertigo
    VST/AU
    Wednesday Addams

    RSS Feed

Home
​Overview
Documentation
About
Contact
Newsletter
Ooloi is an open-source desktop music notation system for musicians who need stable, precise engraving and the freedom to notate complex music without workarounds. Scores and parts are handled consistently, remain responsive at scale, and support collaborative work without semantic compromise. They are not tied to proprietary formats or licensing.
​
Ooloi is currently under development. No release date has been announced.


  • Home
  • Overview
    • Background and History
    • Project Goals
    • Introduction for Musicians
    • Introduction for Programmers
    • Technical Comparison
  • Documentation
  • About
  • Contact
  • Home
  • Overview
    • Background and History
    • Project Goals
    • Introduction for Musicians
    • Introduction for Programmers
    • Technical Comparison
  • Documentation
  • About
  • Contact