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Why resurrect Igor Engraver now?

7/8/2024

4 Comments

 
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Twenty-five years ago, I embarked on a journey to revolutionise music notation software with Igor Engraver. Today, I'm resurrecting that spirit with FrankenScore. But why now? Why breathe new life into a project that's been dormant for a quarter-century?

A Vision Deferred

Igor Engraver was always meant to be freeware, a tool for musicians and composers to express their creativity without financial barriers. Commercial considerations, however, steered us away from that vision. Now, with FrankenScore, we're returning to those roots by embracing open-source development. This aligns with my original intentions and the spirit of accessibility that drove Igor Engraver's creation.

The Tech Landscape: Then and Now

Back in '96, when Igor Engraver was born, the technological landscape was vastly different:
  • OS X hadn't been released
  • Most computers were single-core
  • Software was largely platform-specific
  • Clojure, our chosen language for FrankenScore, didn't exist

Today, we have multi-core processors, cross-platform development tools, and languages like Clojure that offer powerful abstractions and concurrent programming models. These advancements allow us to build FrankenScore as a more robust, efficient, and flexible tool than was possible with Igor Engraver.

The State of Music Notation Software

Igor Engraver was conceived because the available options at the time – Finale (as user-friendly as a cactus) and Sibelius (marginally better) – weren't up to the task. They fell short in usability, flexibility, and output quality.

I hated using Finale (and I've written an entire opera in it). Instead of enhancing your creativity – which, at the end of the day, is what a music processor should do – Finale and all other similar programs hampered your creativity.

Surprisingly, a quarter-century later, the field hasn't progressed as much as you might expect. While there have been improvements – some of them clearly inspired by Igor Engraver! – there's still a significant gap between what's available and what's possible.

Why FrankenScore, Why Now?

The time is ripe for FrankenScore, and I can't help but feel a sense of excitement and purpose. We're at a unique intersection of technological readiness and persistent unmet needs in the music notation world. The tools and platforms available to us now make it possible to build something truly revolutionary – a modern, efficient, and cross-platform solution that was merely a dream when Igor Engraver was conceived.

What strikes me is how, despite the passage of time, the music notation software landscape still leaves much to be desired, especially in terms of usability and flexibility. It's both frustrating and motivating. But here's the kicker – we now have this thriving open-source ecosystem at our fingertips. It's the perfect environment for collaborative development and continuous improvement, something I could only have wished for back in the day.

There's also a personal element to this timing. I feel a renewed focus, unburdened by the commercial constraints that ultimately derailed Igor Engraver. We can, as a community, now pour our energy into creating the best possible tool for musicians and composers, staying true to the original vision of accessibility and innovation. And you know what? Those years weren't wasted. The experiences from Igor Engraver – our successes, our setbacks, the lessons learned – they're all invaluable insights that we're bringing to FrankenScore's development. It's like we're picking up where we left off, but with 25 years of additional wisdom and technological advancements in our toolkit.

FrankenScore isn't just a revival; it's a reimagining. We're taking the core ideas that made Igor Engraver revolutionary and implementing them with modern technology and development practices. Our goal is to create a music notation tool that's not just incrementally better, but fundamentally transforms how musicians interact with notation software.

We're excited to embark on this journey, and we invite you – musicians, developers, and enthusiasts – to join us in shaping the future of music notation software. Together, let's bring Igor Engraver's vision to life in FrankenScore.

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(Oh, and by the way, FrankenScore is just a pre-release working name. When we open the repo, make it open source and invite collaborators to participate, we will switch to Ooloi, just like the domain you're on right now. I'll explain the reasons in a later blog posting.)

4 Comments
Magnus Johansson
9/9/2024 13:14:52

Hello, Peter, and thanks for this very interesting surprise! Igor Engraver, after so many years, still has the best user interface of all notation programs I have used sinced I started exploring and using them in 1998. I look forward to the coming development of FrankenScore.

Reply
Peter Bengtson link
27/9/2025 10:00:15

Thanks, Magnus! You might be interested in this article, which I wrote some time ago and which features your history with Igor Engraver. Delighted to have you here!

https://www.ooloi.org/home/how-igor-engraver-died

Reply
Magnus Johansson
29/9/2025 18:45:51

You're welcome, Peter, and thanks for your response (- better late than never -) to my comment here. I have with great interest already read the article "How Igor Engraver Died"; it really tells of a strange episode, almost like taken out of a novel. I left that episode not being able to rule out that Sturmark, Ulvæus and Gessle were involved in it with the intention of actually killing Igor Engraver.

Martin
21/10/2024 09:55:10

Hi Peter,

This is a very exciting post. Being a composer who was too young to know Igor Engraver in the 90's and early 2000's, I always wanted to try it.

I currently run the open source notation app MuseScore as well as a YouTube channel (Tantacrul) which covers music software too. I'd love to chat sometime to learn more about Igor Engraver / Frankenscore because the history of notation software during the 80's and 90's is massively interesting to me. I could also happily talk through our own journey working on MuseScore.

Hope you're well,
Martin

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    Peter Bengtson –
    Cloud architect, Clojure advocate, concert organist, opera composer. Craft over commodity. Still windsurfing through parentheses.

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Ooloi is a modern, open-source desktop music notation software designed to produce professional-quality engraved scores, with responsive performance even for the largest, most complex scores. The core functionality includes inputting music notation, formatting scores and their parts, and printing them. Additional features can be added as plugins, allowing for a modular and customizable user experience.

​Ooloi is currently under development. No release date has been announced.​


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