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After nineteen months of building systems that nobody can see – temporal traversal, accidental algorithms, transducer pipelines, STM coordination – I have spent the past fortnight making menus behave. Menus. On three operating systems. macOS wants an application menu in the system bar. Windows wants Exit in the File menu and About in the Help menu. Linux wants Quit in the File menu and Settings in the Edit menu. None of them is wrong, exactly, but none of them agrees with the others, and they all have opinions. This is normal engineering. It is, after the intensity of the semantic work, refreshingly boring. Dark mode and light mode. A splash screen that shows each component as it initialises. Window state persistence so the application remembers where you left it. An About dialog with a background of engraved music, rendered through the same windowing path as everything else. Translation keys for every user-visible string, verified at build time against PO files. Fixing the JVM's 64KB static initialiser limit because 185 multimethod symbols turned out to be too many for a single class. Stripping debug symbols from the jlink runtime to bring the application bundle down from 213 MB to 173 MB. None of this is interesting in the way that a deterministic accidental rendering algorithm is interesting. And that's the point. Ooloi now has a face and a body. It boots, shows what it's doing, presents platform-appropriate chrome, responds to commands, and shuts down cleanly. The experience of seeing it is strange – like hearing a recording of a piece you've been composing in silence. You know every voice, every structural decision, but the thing sitting there on the screen, with its dark window and its OK button, is suddenly external. It exists in the world rather than in your head. The project board tells the story plainly enough: 61 tickets closed, the combined application framework just completed, and one ticket in progress. That ticket is multi-mode clients – the work that will let an Ooloi talk to other Oolois and to dedicated servers. A student working alone invites a teacher; the teacher connects, helps, disconnects, resumes their own work. An institution runs a 24/7 server. A string quartet in four cities annotates bowings in the same score.
This is why I'm doing it now, before rendering, before input, before any of the visible musical functionality. Collaboration in Ooloi isn't a feature bolted on at the end; it's a consequence of the architecture. Immutable data, STM transactions, gRPC transport, VPD-based addressing – these were built for correctness, not for collaboration, but they make collaboration nearly trivial. The hybrid transport architecture lets the application start standalone and accept collaborators dynamically, without restart, without mode switching. Once this works – and it will work, because the foundations were built for it whether I knew it at the time or not – I need not spend any more time on it for the foreseeable future. Then the real work begins: making Ooloi do what it was built to do. Drawing music. But for now, I'm fixing a macOS bug where "Show All" doesn't unhide windows, and adding a theme toggle. Ordinary work. I find I don't mind it.
2 Comments
Magnus Johansson
11/2/2026 16:57:04
"Dark mode and light mode."
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Peter Bengtson
11/2/2026 17:42:29
You're very welcome! :)
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AuthorPeter Bengtson – SearchArchives
February 2026
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Ooloi is an open-source desktop music notation system for musicians who need stable, precise engraving and the freedom to notate complex music without workarounds. Scores and parts are handled consistently, remain responsive at scale, and support collaborative work without semantic compromise. They are not tied to proprietary formats or licensing.
Ooloi is currently under development. No release date has been announced.
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