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Ghosts of Competitions Past

16/9/2024

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A recent question in the Clojurians Slack channel caught me off guard when I was asked to compare FrankenScore to Sibelius. This request for a direct comparison not only made me pause but also brought back memories of Igor Engraver's rivalry with Sibelius – a competition that once saw Sibelius's own CEO defect to our side. However, that was a long time ago. Now, as FrankenScore carries forward Igor's legacy, I was challenged to articulate our unique value proposition in this new era.

​Here's how I responded:


NN:
Hey, that looks promising! What are the advantages it will have compared to Sibelius?

Peter Bengtson:
Wow, that's actually a pretty multi-faceted question. While we're still in development and can't yet offer a feature-by-feature comparison with Sibelius, I can highlight some key advantages we're aiming for:
​
  1. Open-source: FrankenScore will be open-source, allowing for community-driven development and customisation. This should enable faster evolution and adaptation to user needs.
  2. Modern architecture: Built with Clojure, it leverages functional programming paradigms that offer benefits in areas like concurrency and data processing. This leads to better performance, especially for complex scores. FrankenScore is explicitly designed to support very large scores.
  3. Truly cross-platform: Frankenscore will run on Mac, Windows, and Linux.
  4. User experience focus: We're recreating the intuitive interface and multi-modal input mode that Igor Engraver was well known for (and which Sibelius partly copied – unsuccessfully – after Igor's demise). This allows a musician to input music easily and very quickly just like with pen and paper, without switching between tools. The result is an enhanced creative process that flows naturally, rather than one hindered by arbitrary technological barriers.
  5. Extensible plugin system: FrankenScore consists of a small, highly efficient core, augmented with plugins. It will support both open-source and commercial closed-source plugins, written in any JVM language. Plugins run on the same terms as the core and are an important and integral part of the architecture, not an afterthought. The API is highly abstract and takes care of all the low-level details such as transactions and thread-safety so that plugin developers can concentrate on functionality. Writing plugins for FrankenScore should be a doddle.
  6. Full SMuFL font support: Unlike Sibelius, FrankenScore makes full use of the capabilities of SMuFL music fonts.
  7. Collaborative features: We're exploring real-time collaboration possibilities to enhance how musicians work together on scores. This is possible since FrankenScore uses a server/client architecture.

​Importantly, as an open-source project, FrankenScore will be free to use. Many music departments struggle with excessive license costs.
​
For those interested in more details, ooloi.org contains a wealth of information about the project, its goals, and its technical underpinnings.
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    Peter Bengtson –
    Cloud architect, Clojure advocate, concert organist, opera composer. Craft over commodity. Still windsurfing through parentheses.

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Ooloi is an open-source desktop music notation system for musicians who need stable, precise engraving and the freedom to notate complex music without workarounds. Scores and parts are handled consistently, remain responsive at scale, and support collaborative work without semantic compromise. They are not tied to proprietary formats or licensing.
​
Ooloi is currently under development. No release date has been announced.


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  • Home
  • Overview
    • Background and History
    • Project Goals
    • Introduction for Musicians
    • Introduction for Programmers
    • Technical Comparison
  • Documentation
  • About
  • Contact